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![]() And wielders of nuclear arsenals have limited options for how to test their kit. So nuclear warheads are actually surprisingly sensitive little things. And very expensive components containing tritium, an isotope of hydrogen, have to be quite regularly replaced, since the tritium depletes over time. Metals inside warheads can also become fragile over time, given the intense radiation to which they are exposed. But this wire had a habit of becoming brittle when stored, and it often broke or got stuck at the moment of arming. These had a wire inside that had to be pulled out in order to arm the weapon. Nuclear warheads have also sometimes been built with flawed components. “One can imagine the Russians might have similar sorts of because the manufacturing has changed,” says Wellerstein. Reports suggest the military had to relearn how to make this material. In the early 2000s, the US struggled to source a classified material (whose purpose is also classified), codenamed FOGBANK, for its nuclear warheads. Doing so involves certain safety risks, notes Lynn Rusten of the Nuclear Threat Initiative, a think tank: “It would be really worrisome if we saw any indication that they were moving those warheads out of storage.” To our knowledge, Russia has not begun “mating” those tactical warheads to delivery systems, such as missiles. Roughly 2,000 are considered “tactical”-smaller warheads that could be used on, for example, a foreign battlefield. Russia has around 4,500 non-retired nuclear warheads, according to the Federation of American Scientists, a nonprofit that focuses on security. Russia’s former defense minister, Dmitry Medvedev, has been particularly vocal about his country’s readiness to use nuclear weapons- including against Ukraine. In February, Russian President Vladimir Putin claimed new strategic nuclear weapons systems had been placed on combat duty, and he threatened to resume nuclear testing. Read in-depth Antique Sage investment guides here.Russia’s invasion of Ukraine has, sadly, brought the specter of nuclear weaponry to the fore once again. Read more fascinating Antique Sage bullion spotlight posts here. However, given the absurdly low mintage and tremendous artistic beauty of this VPS silver bar, I feel the higher cost per ounce is justified. ![]() Artisan hand-poured silver bars from other makers can often be found in the $25 to $30 range. ![]() The cost per ounce for this work is $36.67 ($110 asking price / 3 troy ounces), which is on the high side for a silver art bar. This is an underappreciated advantage in a world where it can be difficult to open a brokerage account for less than $1,000.Īrtisan Hand-Poured Silver Bars & Rounds For Sale The low asking price also means that this VPS silver bar is attainable by investors of even modest means. I believe this Crack Jenny's Teacup silver art bar is well worth the $110 price tag. But in my opinion, none of them can compare to the sheer artistic character and aesthetic qualities of Vollmer Poured Silver bars. There are many different small companies that specialize in hand-poured silver bars, including Yeager's Poured Silver, Bit Bullion, Mutiny Metals and MK Barz. It also identifies the work's name as "Crack Jenny's Teacup" - a reference to pirate slang from the 17th and 18th century. This VPS silver bar comes with its original certificate of authenticity signed by Devin Vollmer himself. This is an incredibly small mintage in the world of hand-poured silver, where limited editions of 100 or 200 examples are the norm. This VPS silver bar is #4 of a strictly limited edition run of only 5 specimens. I consider hand-poured silver to be a stealth tangible asset investment suitable for the adventurous alternative asset investor. Modern hand-poured silver bars are becoming increasingly popular among collectors because of their superior workmanship, pleasing compositions and interesting visual effects. All VPS silver bars are individually designed and hand-poured using traditional methods by the studio's founder, Devin Vollmer. Vollmer Poured Silver, also known as VPS, is a precious metal micro-foundry located in the picturesque Berkshire Mountains of western Massachusetts. This artisan hand-poured silver bar weighs 3 troy ounces and is made from solid. This limited edition 3 troy ounce VPS silver bar features pirate cutlasses, oxidized surfaces and Vollmer Poured Silver's skull and crossbones logo. 3 Troy Ounce VPS Silver Bar - Crack Jenny's Teacupīuy It Now Price: $110 (price as of 2019 item no longer available) If you want to start doing some of that yourself, check out this link for some practical ways to get started. It can also be beneficial to have a trained therapist that can witness and help guide you through facing, learning to tolerate fears, and taking back control of your mind. Where the fear has gone there will be nothing. And when it has gone past I will turn the inner eye to see its path. I will permit it to pass over me and through me. If it’s not clear what fears you might face, it could be helpful to have someone to talk through and explore what those might be and bring those to the surface. Fear is the little-death that brings total obliteration. Many of us have heard about the importance of facing our fears to overcome them and while it’s nothing new to see a film with a character facing their fears (think Luke Skywalker in the cave on Dagobah, Bruce Wayne facing bats in a cave, Ellen Ripley taking on the xenomorph in Alien), it can be challenging to see how that applies to real-life fear. Only I will remain.” It is a powerful scene watching Paul gradually find something deep within himself that allows him to confront his fear, transcend his pain that can only surface by allowing his fear to pass through him. Where the fear has gone, there will be nothing. And when it has gone past, I will turn the inner eye to see its path. Fear is the little-death that brings total obliteration. There’s also the inner conflict as Paul’s mother allows the Reverend Mother to test him in this way, and as this is happening, his strong connection with his mother, who trained him, enables her to speak to him these words. The fear of pain at that moment is so intense and relatable. When Paul asks the Reverend Mother, “What is in the box?” she replies, “Pain.” This moment creates a sense of panic and the feeling of being trapped. The scene subtly lays out the context for this test. The Gom Jabbar scene tests Paul’s determination and ability to resist fear and the impulse to avoid pain. ![]() If you haven’t, I highly recommend you see the film, but you can also check out the excellent breakdown of this intense scene from the film’s director Denis Villeneuve. In this test, he is ordered to place his hand in a mysterious box that produces enormous pain and keep it there or face his death. If you have seen the movie Dune (2021), you probably remember the powerful Gom Jabbar scene, where the main character Paul Atreides faces a test. Spoiler alert ahead (for your mental health and the movie Dune). Fear is the little-death that brings total obliteration. I'll keep practicing, and hopefully with the tips and advice that keeps coming, I can figure out how to get it right. Failure has felt a little dry, but it's nice to see that the community is eager to keep everyone's hopes up. Other than that, I have tried riffle shuffle and failed, and haven't tried anything else since then, since I think everything else is much harder, and if I can't get the riffle shuffle, I certainly won't get the other moves. All I can do successfully so far, are the basic grips, and the smear fan (it's not as well executed as others I've seen online, but it's still something). Their cards seem so loose yet still firm enough to not completely fall apart. The cards still feel a bit tight and clumpy, at least compared to what I see in the above tutorials. ![]() I am not sure whether my deck is already broken in or not, because I haven't succeeded at riffle shuffle even once. I just signed up for the pdf, and will read it once I'm home from work. I tried both ways, since I have no idea which one of the techniques is right and better, and who to believe over the other. For example, SoC tells me to straighten out my index fingers during the riffle, while LiH tells me to curl it in for a better bend. I use those two tutorials, and even they don't agree with each other on everything. And even if they don't accidentally get pushed together, the bridge doesn't come riffling down like it does in the videos, the cards just relax down. I sometimes accidentally push them together using the upper palm without wanting to, but I have to apply pressure as per the instructions provided in the tutorials. The arc, the curve isn't as smooth or circularly shaped as it is in most tutorials. Finally, I can't make the bridge properly. And also, they riffle off of my thumb in clumps, which makes things worse. If I do it in the air, the cards that I slide my thumb off of end up falling down instead of staying horizontal and parallel to the ground in my hands like they should. ![]() I divide the deck into almost halves, but then when I try to riffle the halves (is that the right way to say it), the come down in clumps. I am positive that I am getting something or the other wrong, it isn't just the deck. That's perfect, I am more than willing to break them in. The problem is, the deck is new, and based on what I've read online, new decks need to be broken in, and once you do that, it gets easier. ![]() During the practice, I was unable to do the riffle shuffle. I recently got Bicycle cards and started practicing. I live in a small town, where no one else does this, so I can't ask for help in person, and I have no other decks to borrow. As the title suggests, I am new to this, have no prior exposure. |